Art
Song
An online forum devoted to art songs by underrepresented composers whose music has been marginalized.

Our Composers

United States

Adolphus Hailstork

Adolphus Hailstork is a prolific composer who has written over 250 works in just about every genre imaginable: symphonies, operas, cantatas, concertos, chamber music, choral pieces, songs, and more. A native of upstate New York, he currently resides in Virginia Beach, Virginia, and is professor emeritus of composition at Old

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England

Samuel Coleridge-Taylor

Samuel Coleridge-Taylor was an acclaimed British conductor and composer. The son of an Englishwoman and a man from Sierra Leone, he showed great musical talent as a child; he learned violin and piano from his father and started singing in a church choir when he was only ten years old.

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Margaret Bonds
United States

Margaret Bonds

Composer and pianist Margaret Bonds grew up in a musically rich environment in Chicago—her mother was a gifted organist, and in high school Bonds studied piano and composition with Florence Price. Like Price, Bonds was a pathbreaker. In 1934, she became the first Black soloist to play with the Chicago

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France

Lili Boulanger

Lili Boulanger had a tragically short life. She died at age twenty-four from intestinal tuberculosis, and spent much of her life in poor health, having contracted pneumonia as a toddler, which compromised her immune system. Still, in those twenty-four years she produced a wide variety of remarkable compositions, including many

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France

Mel Bonis

Mélanie Bonis’s life story is one of perseverance and talent overcoming all manner of obstacles. She grew up in a middle-class home with parents who did not support her musical ambitions—she taught herself piano until she was twelve and was only allowed to take music lessons after a professor at

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Chile

Carmela Mackenna

Carmela Mackenna was a Chilean woman composer who wrote a wide variety of works, including solo piano pieces, chamber music, choral music, orchestral music, and songs. She belonged to an aristocratic family, and thus received training in music and foreign languages. Mackenna married a diplomat, so her life involved traveling

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Video Recordings

The music by these composers has not been recorded very often, in some cases not at all. This is why one of the purposes of the ASA is to offer quality video recordings of this overlooked repertoire.

Did You Know?

Look out for the question mark icons on this website to find out the little-known but fascinating facts about our composers.
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Fanny Hensel’s op. 1 (a collection of six songs) was published in the summer of 1846, less than a year before she died of a stroke at the age of 41.

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Marie Vespermann appeared in public concerts as young as age nine and began composing songs at age twelve.

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Marie Franz composed a stirring setting of Goethe’s poem “Meine Ruh ist hin,” which is even more turbulent than Franz Schubert’s immortal 1814 setting of the same text — “Gretchen am Spinnrade.”

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Mary Wurm was a gifted piano teacher. In 1914, she published a collection of music designed for the teaching of preschool-age children, The ABCs of Music (Das ABC der Musik).

ASA Creator

Stephen Rodgers is the Edmund A. Cykler Chair in Music and Professor of Music Theory and Musicianship at the University of Oregon, where he has been teaching since 2005. Rodgers’s research focuses on the relationship between music and poetry in art songs from the nineteenth century to the present day, especially art songs by underrepresented composers.

Verse & Music

Join Stephen as he explores how composers transform words into songs in his podcast Resounding Verse.